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Christopher Nolan's entire filmography has time as its common thread. Three films in particular analyze its flow in situations apparently unrelated to our daily lives: Interstellar, where time passes differently in the depths of space than on Earth; Inception, in which time slows down as we delve into the depths of our mind; Tenet, in which time can flow in both directions, forwards and backwards. But do these screenplays represent only the genius of a visionary or do they hide profound reflections on the very nature of time? By analyzing the three films and Nolan's work, a director expert in special effects will answer the question "How did he do it?", while an astrophysicist will try to understand why he did it. With Luca Perri, Mauro Zingarelli and Nicolò Guarnieri #bergamoscienza #bergamoscienza2021 #facciamoconoscenza _ You can also find us on: Facebook / bergamoscienza Instagram / bergamo_scienza LinkedIn / associazione-bergamoscienza Telegram: https://t.me/+mYefm4LWFsc4ZmRk Twitter / bergamoscienza Twitch / bergamoscienza