Through the eyes of Marília and Rudá – Oswald de Andrade Occupation

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Itaú Cultural

Published on Oct 24, 2024
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Marília, Oswald's daughter with Maria Antonieta D'Alkmin, and Rudá, the writer's son with Patrícia Galvão (Pagu), talk about the memories and impressions they have of their father. For more content, visit: itaucultural.org.br/ocupacao. Technical file Conception and production: Itaú Cultural Curatorship: Itaú Cultural Team Consultancy: Lira Neto Expographic project: Renato Bolelli Rebouças Accessibility project: Casa do Braille and Iguale ITAÚ FOUNDATION Chairman of the Board of Trustees: Alfredo Setubal Chairman of the Foundation: Eduardo Saron INSTITUTIONAL AND STRATEGIC COMMUNICATION Executive management: Ana de Fátima Sousa Coordination of digital strategies and brand management: Renato Corch Photography editing: André Seiti and Letícia Vieira (intern) Social media: Daniele Cavalcante (intern) and Victória Pimentel Coordination of institutional communication: Alan Albuquerque Institutional communication: William Nunes Events: Caroline Campos and Simoni Barbiellini ITAÚ CULTURAL Superintendence: Jader Rosa CURATORSHIPS AND ARTISTIC PROGRAMMING Management: Galiana Brasil Coordination: Carlos Gomes Executive production and research: Andrea Martins and Leticia Santos CREATION AND PLATFORMS Management: André Furtado Production coordination: Kety Fernandes Nassar Audiovisual production: Amanda Lopes and Paula Bertola Live sound: Raquel Vieira (outsourced) Interpretation in Libras of audiovisual content: Mão Preta (outsourced) Review, transcription and synchronization of subtitles: Alume Comunicação e Acessibilidade (outsourced) Editorial production: Luciana Araripe Graphic production: Lilia Góes (outsourced) Editing and content production: Duanne Ribeiro, Fernanda Castello Branco and Heloísa Iaconis Supervision of text review: Tatiane Ivo Text review: Karina Hambra and Rachel Reis (outsourced) Creative coordination: Carla Chagas Graphic design: Liane Tiemi Visual communication: Guilherme Ferreira Image capture and editing: Richner Allan

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