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Tenderness, expression and drama - all this is hidden behind the strings of the magical cello. Where is its soul hidden, why does the instrument need a separate plane ticket, what fingers does a cellist need and is it possible to pump them up. Pavel Dashkin, soloist of the Novosibirsk Philharmonic, teacher of the Glinka Conservatory, Stanislav Ovchinnikov, soloist of the Academic Symphony Orchestra of the Novosibirsk Philharmonic, and Yulia Ivanova, a student of the Glinka Novosibirsk Conservatory, tell us. The project "Voices of the Orchestra. Detailed Analysis" is implemented with the support of the Presidential Fund for Cultural Initiatives.