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Bora Dagtekin, the Til Schweiger for the younger generation, returns after years with a new film that is merely a spin-off from the successful and terrible "Fack ju Göhte" series: "Chantal in Fairytale Land" sends Jella Hase back to the screen in her signature role, but this time she quickly leaves social reality and steps through a magic mirror into a fairytale world that is organized in a patriarchal way. The German Barbie fights against these conditions while her economic status does not improve. More on this from Wolfgang M. Schmitt in the film analysis! Literature: In the NEW TWENTIES we present the poverty report: • THE NEW TWENTIES: Weapons, Apple's S... Ted Gioia: The State of the Culture. https://www.honest-broker.com/p/the-s... You can support THE FILM ANALYSIS financially - thank you very much! PayPal: http://www.paypal.me/filmanalyse (http://www.paypal.me/filmanalyse) Patreon: / wolfgangmschmitt Wolfgang M. Schmitt V&R-Bank Neuwied – Linz IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD Produced by FatboyFilm: https://www.fatboyfilm.de / fatboyfilm / fatboyfilm