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The recording took place during Brasil Paralelo's Christmas Special (2020). In the first version, by Gounod, the piano and cello converse in a complementary exercise: while the metric piano interprets the first Prelude from Johann Sebastian Bach's Well-Tempered Clavier, the cello dreams of the melodic theme created by Gounod. In the second version, Alvaro Siviero intervenes at the end with Liszt's transcription made for piano.