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Hanna Herzog (Rita Russek) is an attractive woman in the prime of her life. Since the death of her husband, the woman in her mid-fifties has lived alone in a spacious condominium. With her neighbor Jonathan Engelhard, an editor at a publishing house for entertainment literature, who compensates for his frustration with constantly changing young girlfriends, she can laugh away the anger that occasionally arises. For example, the anger she feels towards her daughter Astrid (Nadja Becker), who is married to a rich man and has become so alien to her mother that she could almost despair. Especially when it comes to raising two-year-old Elina, who is encouraged by her mother to do everything she can to develop her skills. But thanks to her long-term lover (Michael Wittenborn), she feels comfortable in her own skin. He is still married and lives under the same roof with his wife, but because the two are going their separate ways, Hanna has no objections to this amorous arrangement. Now Hanna is about to make her long-awaited career leap. The owner of the Waldorf fashion house, where she has worked successfully as a fashion and design manager for years, has promised to appoint her as managing director. But the job goes to her boss's nephew (Urs Peter Halter). Hanna draws her conclusions and rises to unexpected greatness.