TIME TO LOVE
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#Avant-garde #Dersflix #collaboration #privatelessons www.dersflix.com #dersflix #instagram https://instagram.com/dersflix.egitim... To apply for free private lessons at Dersflix: https://docs.google.com/forms/d/e/1FA... In this episode, Yalın Alpay talks about Metin Erksan's cult film, Time to Love, shot in 1965. Starring Müşfik Kenter, Sema Özcan, and Süleyman Saim Tekcan, the 1965 film Time to Love did not attract the attention of the audience due to the thought that it would not attract the attention of the audience and was not released. However, those who somehow had the opportunity to watch the film were very impressed by it and spread the word about Time to Love by word of mouth, quickly gaining the film a cult status in Turkish cinema. In this low-budget independent production, Metin Erksan created a world of his own rather than following the familiar world, and instead of following life, he followed life. Halil is disturbed by the fact that the physical world, which is the place of beings, is in constant change and that this change is perceived as time. He realizes that his knowledge, interest and feelings about beings cannot remain constant because of the change he sees everywhere he looks. However, while the entire physical world is changing, Halil wants to be fixed and stay in the moment. Since Halil desires to be fixed, for him, the moment and eternity coincide with the same time: he is in search of a world where nothing changes in the slightest and time has no effect on anything. Halil's ideal world is a world of ideas consisting of meanings that point to the unchanging essences of beings instead of variable physical beings; since there is no change, it is a world of meanings that are insensitive to time, that is, timeless. Therefore, for Halil, love ceases to be an emotion that can be directed towards a being that changes over time. Because the ideal conditions that produce the feeling of love will soon cease to be ideal conditions, since the conditions in the physical world are constantly changing, and will transform the feeling of love into other feelings by following this change. Therefore, Halil feels that the feeling of love can only be directed towards a stability that resists change. Instead of a person whose feelings are constantly changing, he falls in love with the immutability of a painted image of that person. Join this channel to benefit from the privileges: / @avangarttv
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