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All the measurement files for this Yamaha are here: https://boosty.to/azvuka/posts/ec0cdf... A big conversation about the ubiquitous studio monitors - Yamaha NS-10M. Why have they become so widespread? What are their main features? Why do they have few competitors? What can replace them? And also an analysis of the measured parameters of the speakers, quasi-anechoic measurements and other Asonous jokes My tutorial on home measurements: https://t.me/+7w9FaAoUOaQzOGMy Support the channel on Boosty: https://boosty.to/azvuka Telegram channel: https://t.me/azvukasound I'm on Vk: https://vk.com/azvuka34 Second channel: / @azwuka2 Mail for commercial inquiries and cooperation - [email protected] 00:00 What's going on? 00:45 Half a minute of historical background 01:40 TS parameters and design of the woofer 04:40 Continuation of the historical background: speaker versions 06:20 Features of frequency response and distortion 07:20 Features of a sealed box 08:10 Comparison of a closed box and a bass reflex outdoors: frequency response, impulses, waterfall 12:25 Equalization of a bass reflex under a closed box and comparison of a waterfall 14:50 Balancing on a closed box 19:00 Horizontal use of monitors - impossible? 19:54 Meow 20:10 Frequency response is not important? 22:39 Amplifiers for monitors 24:20 Why are there no other closed box monitors? 26:05 Features of the phase inverter design 28:00 At what frequencies is the bass in music? 30:25 How to use NS-ki 31:45 Frequency response is important! 32:40 What's special about the NS-10 33:45 Life hack for beginner sound engineers 37:10 What if you plug the FI port? 40:00 What if you adjust the ZY or FI? 41:58 What's the bottom line? 43:40 Comparison of measurements with a household speaker 46:26 Wiretapping