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The Barbenheimer phenomenon is astonishing: the cinemas are actually more well attended than they have been for a long time. That is good news! Many cinema-goers who have never played with Barbie before have been eagerly waiting for “Barbie”. The prospect of Margot Robbie and Ryan Gosling was just too good. Greta Gerwig does everything right in the first 30 minutes of the film: she shows us a brightly coloured Barbieland with lovingly designed sets and painted horizons. But then the film takes a turn when Barbie sets off into the real world and Ken accompanies her. Suddenly “Barbie” becomes a strange culture war film that produces nothing but contradictions. More on this from Wolfgang M. Schmitt in the new film analysis! Literature: Pierre Bourdieu: Male Domination. Suhrkamp. You can support THE FILM ANALYSIS financially - thank you very much! PayPal: http://www.paypal.me/filmanalyse Patreon: / wolfgangmschmitt Wolfgang M. Schmitt Subject: THE FILM ANALYSIS IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD Produced by FatboyFilm: https://www.fatboyfilm.de / fatboyfilm / fatboyfilm