Taylor Swift, Adele & Co: Have concert tickets become too expensive? 13 questions unbubble

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Published on Dec 18, 2024
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Several hundred euros for a concert ticket? Big concerts can now cost almost as much as a short vacation. Whether Adele in Munich or Taylor Swift in Gelsenkirchen - fans often had to pay a lot of money in 2024 to see their favorite artists live. Platforms like Viagogo and the flourishing black market are driving ticket prices even higher. The dynamic pricing strategy used also means that prices rise sharply with demand. Some see this as a threat to general access to culture. Not everyone can afford the luxury of spending so much money on a concert. Others argue that high prices are justified: If you want to experience your favorite musicians and see an extraordinary show, you have to pay more for it - especially given the increased production costs. In addition, in a free market economy it is natural that prices rise when demand is high. So should we just accept the high prices or does something urgently need to change? Our guests talk about this on "13 Questions". Do you have a topic that we should discuss in our next episode? Feel free to send us your suggestions to unbubble@zdf.de . Our participants: Niklas aka NKSN: Rapper Gizem Çelik: Content Creator Marco Seiffert: Moderator Marek Lieberberg: CEO Live Nation Tanja Dorn: Music Manager Konsi: Concert Ultra, Creator Chapters: 00:00 Intro 01:50 What was your concert highlight of 2024? 03:06 Should concerts be accessible to more people? 06:32 Do smaller artists suffer from the ticket prices of larger ones? 06:56 Does the enormous effort of large concerts justify high ticket prices? 08:07 Do we have to accept that the market regulates ticket prices? 09:23 Are superstars too greedy? 15:16 Does “dynamic pricing” exploit concert fans? 18:56 How is the ticket price broken down? 17:25 Is live music a consumer good? 25:35 Are high ticket prices destroying cultural diversity? 30:34 Can we agree that artists must always provide a certain contingent of social tickets for their concerts to ensure accessibility? 31:44 Can we agree to create general awareness of the discourse in the music industry by approaching artists, agents and managers? 33:18 Can we agree that artists who offer a certain contingent of social tickets receive a tax break from the state? 13 Questions is a format from ZDFkultur. More information here: https://kurz.zdf.de/GJLcg/ You can find more content on this and similar topics here: The deals for expensive concert tickets WISO https://kurz.zdf.de/hb5N/ The True Story of Taylor Swift ZDFinfo documentary https://kurz.zdf.de/U66P/ Tickets from Viaggo and Co. - a good idea? Really? https://kurz.zdf.de/uTnW/ Tomorrowland Festival - techno, cult and commerce ZDFinfo documentary https://kurz.zdf.de/gUBVH/ Black market at mega events ZDFheute https://kurz.zdf.de/6jO7/ Host: Jo Schück ZDF editorial team: Dr. Stefan Münker ZDF format development: Vanessa Olivier, Leonie Steinfeld ZDF social media editorial team: Laura Díaz, Muriel Spiegel, Schahrzad Zamankhan, Lara-Celine Saalmann, Annelina Stahmer ZDF online editorial team: Janina Dillmann ZDF productions: Christiane Alsfasser, Anna Schmidt 13 Questions is a format from ZDFkultur in collaboration with Hyperbole. More information here: https://kurz.zdf.de/GJLcg/ Director / Author: Andreas Müller, Lisa Hafemann Editor: Althea Pappas, Caroline Weigele, Henrike Rau, Paul Keppler Social Media Editor: Clemens Egger, Malik Jalloh Camera: Michel Gumnior, Fabian Uhlmann, Taner Asma, Sebastian Linder Light: Micha Plundrich, Ulrich Kalliske Sound & sound mixing: Wladimir Gelwich Set design: Justus Saretz Production manager: Denise Ghard Editing: Suraj Chandran Graphics: Mark Trompetter Producer: Bastian Asdonk Production manager: Laura Obereisenbuchner

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