For thousands of years, the idea of ​​drama and acting has emerged, and its forms have developed, as an art first and last, its main goal is fun and entertainment, or at most, it means, expressing an idea or opinion, or a human message to the viewer, related to the imagination of the author, or the vision of the director and that's it.. But with the passage of time, there remained an accusation directed at the regimes, especially the dictatorial and failed ones, that they gave more space to this profession, and emptied it of its meaning, so that instead of remaining a mere entertainment field, it turns into a tool of the regime's tools, and a front to pass its messages, through which it shapes awareness and public opinion, serves its vision, and directs people's minds, to what is in its interest.. But frankly, if this accusation, in our time, is directed at the Sisi regime, for example, then the truth is an unjust accusation, the truth must be told, meaning.. The Sisi regime is nothing but an extension of all those who came before it, whether soldiers, or even rulers, before the 1952 coup.. And if we wanted to get an idea, about the approach of the regimes in Egypt, In using drama to convey messages that concern specific groups, we find the most prominent of these aspects in the relationship between drama and farmers and Egyptian rural society. How did drama deal with these groups? What was the impact of political reality in each era on the form and content of any artistic work that talks about farmers and rural life? To support on Patreon: / ahmedbehiry Subscribe to the official channel on Telegram: https://t.me/ABehiry Ahmed Behiry's official Facebook page / Ahmed-Behiry-ahmed-behiry-109415711865636 Official Twitter page / ahmedbehiry Subscribe to the channel to follow new episodes http://goo.gl/2KheJZ Sources: I Know the People of Earth http://www.qooqle.com