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In this episode, Anton Dolin, editor-in-chief of the Iskusstvo Kino magazine, came to the Pioner cinema. Together with the curator of Pioner's public programs and the audience, we watched Roy Andersson's About Infinity and discussed the creative world of the Swedish director - why he shoots all scenes only in a pavilion, and can work on a film for up to ten years, how Andersson is connected with Russian classical literature and why it is difficult to grasp the plot in Andersson's films, and to find a script on the set.