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07. Seoljanggu Dance Seoljanggu originally referred to the chief janggu player in the Pangut of Pungmulgut, but it also came to refer to the play of Seoljanggu. Since it is performed during the individual play in the latter half of the Pangut, the composition of the rhythm varies depending on the region or person. There has been a continuous trend of Seoljanggu being newly choreographed by dancers, and one of them is this ‘Seoljanggu Dance’. The National Gugak Center’s ‘Seoljanggu Dance’ is a work composed as a group dance by Park Eun-ha of the National Gugak Center’s Performance Department. It is composed to contrast solo and group dances to the rhythm of Hwimori-Obangjin (Dongsalpuri)-Gutgeori Samchae (Jajinmori)-Hwimori, and the tension and relaxation of the rhythm are well expressed in this. 07. SeoljangguDance The term “seoljanggu” originally referred to the chief player of janggu in Pangut, but later came to mean the whole performance as well. Since this is performed solo toward the end of Pangut, its melodic makeup varies from person to person, and from one region to another. Seoljanggu has been re-choreographed by numerous dancers, and this is one of them. This particular version by the NGC has been re-choreographed juxtaposing solo and group dances over the rhythmic cycles of hwimori, obangjin (dongsalpuri), gutgeori samchae (jajinmori), and hwimori, featuring their tension and relaxation. ○ Reconstructed choreography/re-choreographed by Park Eun-ha ○ Hosted and filmed/National Gugak Center