[Music Analysis] A serious analysis of the structure of the "Marusa Progression" ~ What are the four secrets to its stylishness? The complexity of the partial modulation is the key. Don't laugh at it as a mass-produced type, use the derivatives to make a difference!

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Serious Music Analysis

Published on Aug 31, 2024
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A series in which composer Toydora analyzes standard chord progressions in J-pop. This time, it's Part 1, "Maru Sa Progression". Maru Sa Progression is an abbreviation for "Marunouchi Sadistic Progression" and is also known as "Just the two of us Progression", "JTOU Progression", "436 Progression", "4361 Progression", "Marunouchi Progression", etc. Comments are welcome! If you have any questions, please register as a member or give us a tip. Part 2 and beyond: In production... ☆☆☆Correction☆☆☆ The chord around 26:30 was Dm7, not B♭7. 1:21 Listening to the Maru Sa Progression 3:08 Essential characteristics of the Maru Sa Progression 8:09 Derivations of the Maru Sa Progression 19:54 Chord progressions that are "not" the Maru Sa Progression 22:39 Considering further derivatives 28:28 Are chord progressions that important? 29:12 Composing using only the Maru Sa Progression What is a "tonal melody"? → • [Music theory] Don't use anything other than "Do, Mi, So" for the melody! No need for V7. ~ Practical... Analysis of Kurahashi Yoeko (Yoeko) → • [Serious music analysis] Kurahashi Yoeko's "Yoru na Yoru na Yoru na" ~ Expressiveness of suffering and screams. Collision... ------------------------------------------------------------------------------------- Composer's Toy Dragon → https://tomita-haruki.studio.site/ #Marusa progression #Chord progression #Chord progression pattern arrangement #Music theory

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