#JindoSsitgimgut #Jijeonsalpuri #ParkByeong-cheon_Holder of Important Intangible Cultural Property No. 72 A ritual to cleanse the soul of the deceased handed down in Jindo. This ritual is handed down mainly through the Park clan shamanism, and was designated as 'Important Intangible Cultural Property No. 72' on November 17, 1980. The word 'Ssitgimgut' comes from the meaning of erasing and washing away grudges from this life. Ssitgimgut takes on slightly different forms depending on the purpose or situation of the ritual. A ritual performed in a funeral home is called 'GwakmeoriSsitgimgut', a ritual performed on a given day is called 'NalbajiSsitgimgut', a ritual to rescue the soul of a person who has drowned is called 'Hongeonjigigut', and a ritual for a person who died unmarried is called 'Jeosunghonsagut'. The procedures for a Ssitgimgut may vary slightly depending on the situation. In the ritual for the dead, the soul is invited into the house after the hongeonjigut is performed at the waterside, and the ritual for the soul of the deceased is performed after the andanggut is performed at the entrance of the alley, and the main ritual is performed. For the soul of the unmarried, the honmajigut and the marriagegut are performed, and then the ssitgigut is performed. On the other hand, in some cases, the jowanggut is added due to the conceptual distinction that it is not a 'jingut'. The procedure of the ritual may vary depending on the shaman. The ssitgigut procedures of Park Byeong-cheon and Jeong Suk-ja and the shaman Chae Jeong-rye are slightly different. However, in all cases, the ssitgigut is largely divided into three parts: the first half, the middle half, and the last half. The process from andang to ancestral rites is the first half, which prays for the blessings of the living, the process from that to the path-dak is the middle part, which guides the deceased to heaven, and the last jungcheon is the last part, which concludes the ritual. The first half is a ritual to pray for the happiness of the living. At first, the ritual is performed inside the building, and then the space is moved to the yard. The gutcheong is a temporary tent with a canopy set up in the yard and three sides covered with pavement, inside which a folding screen is set up and a ritual table is set up. In other regions, the ritual is usually performed in the middle part of the gutcheong, and in Jindo, the ritual below the chogamangseok is performed in the gutcheong. The Jowanggut is a ritual to report to the kitchen god Jowang and expel it. The female shaman sits alone and strikes a gong and sings a shaman song. The content of the shaman song is to expel the shaman, remove the misfortune of the household, and pray for the family's fortune. Andang is a street where the story of the ritual is reported to the highest god of the house, Seongju, and the Seongju is invited. The Seongju enshrined here is a deity believed to govern the peace and wealth of the household. In addition, ancestors, earth gods, kitchen kings, three gods, and iron dragons are also invited, and they all have in common that they are household gods. In short, Andang can be said to be a street where household gods including Seongju are invited and prayed for. The deities enshrined in Chogamangseok are ancestors. And the deceased who died recently and are called Sinmangjosang are also invited. The ancestors' rituals in Yeongam, Mokpo, and Gwangju's Seonburi, Suncheon, and Hwasun are similar in nature. The guest of the guest ritual is generally assumed to be the Mama god who spreads smallpox, and is usually depicted as a deity with ghostly properties. In this street, the guest's path is used to invite the guest and pray that he/she does not cause harm and that he/she leaves after doing good. The Jeseok ritual is a street where Jeseok, who is considered to be the deity in charge of the prosperity of the family, the longevity of descendants, and good fortune, is invited and prayed for good fortune. In this gut, a female shaman wears a long robe over a hanbok, wears a prayer bead around her neck, and wears a hat on her head to perform the gut. In other gutgeori, they perform the gut wearing only regular hanbok, but in this gut, they perform the gut wearing this kind of attire. In the Jeseokgut, a narrative shaman song, Jeseokpuri, and various shaman songs that pray for the fortune and wealth of the household are sung. Ancestor gut is a gutgeori that prays for fortune and virtue of ancestors. In other regions, it is sometimes attached to Jeseokgut. Aekpuri is usually combined at the end of Jeseokgut, but it is also treated as an independent gutgeori. The middle part is all related to the dead, so it is also called Mangjagut, and gutgeori that comforts and appeases the spirits of the dead are performed here. In other regions, there is Ogugut that includes the narrative shaman song Baridegi, but it is