Hayrat ul-abror full epic - Alisher Navoi

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Published on Jul 19, 2023
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pdf books: https://t.me/kitob8 other audios: @audiokitsuz ___________________________________ The first epic in Alisher Navoi's "Khamsa" "Hayratu-l-abror" ("Awe of good people") was created in 1483. The epic consists of 3988 verses and consists of 63 chapters, 20 articles and 20 stories. Of this, the Introduction (prologue) contains 21 chapters. The first chapter of the saga is dedicated to the poetic interpretation of the main divine sentence in the Holy Qur'an "Bismillahir rahmanir rahim" ("I begin with the name of the Merciful and Merciful God"). This chapter serves as an introduction not only to Hayratu-l-Abror, but also to Hamsa in general, since we do not find this divine sentence in later epics. Hazrat Nawai analyzes this sentence from two points of view, those who accept it and those who reject it. Each letter in this sentence is assigned a special meaning. Turning first to the rejecters, we see that every letter in this sentence serves to punish this class of people. In particular, when talking about the letter "s" - "sin", its shape is like a saw on the spine of a whale, and it is a disaster for those who refuse; The letter "m" - "mim" is used as an allusion to the fact that the letter "mim" breathes fire like a snake and lies at the beginning of the road with its mouth open. In this way, Navoi uses the rest of the letters in this sentence to serve this purpose and creates a unique example of kitobot (lettering) art. Turning to the second category, that is, recipients, we now observe that these letters acquire a positive meaning. In particular, if the letter "s" "sin" is now compared to the stairs of the path of health, we see that the letter "m" - "mim" is related to the spring head at the destination. All this shows the high artistic potential of Navoi. The second chapter of the epic is devoted to Khaliq, that is, the praise of Allah. In this chapter, the poet describes with infinite wonder that the Creator of everything, from the sky and the sun, moves every particle, the entire world of plants and animals, and the human society. As Alisher Navoi puts forward the ideas that "His nature consists of grace and purity, but loyalty is alien to him", it becomes clear that he is thinking on the basis of Sufism. Chapters 3-6 (four chapters) of the epic contain prayers. In the prayers, it is emphasized that all creatures in the world should always worship their creation, and it is not a question that when the wrath of God comes, it will be scattered like "a blue skirt of ashes". That is why it is recommended that people act thoughtfully, do not allow themselves to commit sins, do not forget the Day of Judgment, remember the punishment for each sin on the Day of Judgment, and fully follow the rules of Islam. In the last prayer, Navoi turns to God and asks for forgiveness of his sins: Although sin has no end, if you do not repent, there is no possibility of mercy. According to the literary tradition, after the prayer, the prophet moves to the hymn, that is, to the nat. There are 5 verses in the epic. In the first part, while referring to the theory of "Nuri Muhammadiya" in Sufism, the definition of the concept that "Adam is both a son and a father" in this theory is given. According to "Nuri Muhammadiya", God created the light of Muhammad before creating all the worlds, and because of this light, He created the world and man. So, Adam was also created from the light of Muhammad. Therefore, Hazrat Muhammad (pbuh) is both a father and a son to Adam. In the following verses, the Prophet's childhood, his activities during his prophethood, his unique human characteristics, and the description of the Night of Miraj are given. The 12th chapter of the saga is dedicated to the hymn of great predecessors Nizami Ganjavi and Amir Khusrav Dehlavi. In the first description of Nizami, it is said that the letters in his name correspond to the number 1001 according to the abjad calculation, which corresponds to the 1001 names of God. By means of the arts of istiqaq (citing cognate words) and ihom (using a couplet with two different meanings), the treasure he created ("Khamsa") is described: Ganja vatan, kongli aning ganjkhez, Khotiri ganjuru tili ganjrez. When Khusrav Dehlavi's hymn is quoted, the word "khusrav" in his name means king. It is explained by the fact that Dehlavi, as the king of words, improved the Indian property, and each of his epics is equal to a country of India: Nazmi savodi aro har doston, O'ilaki, ir kishwari Hindustan. Chapter 13 contains the hymn of Nuriddin Abdurrahman Jami. While describing Nizami and Dehlavi in ​​one chapter, Navoi devotes a separate chapter to his teacher and friend Abdurrahman Jami. Calling it the "polar sect" of that time, he humbly describe

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