Introduction to the performance of the Department of Traditional Performing Arts, Wonkwang Digital University 1. Gyeongsangdo Sori - "Twelve Months of Evil, Salpuri" Evil and Sal appear in the human world and disrupt order. Evil is related to time and Sal is related to space. Regarding evil and sal, this song is about warding off evil that comes from time to time in the twelve months of the year. The lyrics are slightly different in each region, but it is distributed nationwide. It is a song that wishes to ward off evil and receive only health and happiness. 2. Samdo Seoljanggo Garak With its diverse and endless changes, Seoljanggo, which sweeps not only the performers but also the viewers into a state of selflessness, leads the spirit of the performers and the excitement of the audience, and shows the diversity and charm of our rhythm. The melody used here was conceived by Kim Deok-su, the founder of Samulnori and a master of janggo. 3. Gyeonggi folk song - Hoesimgok Hoesimgok was originally born from 'Hwacheong' sung at the end of a Buddhist temple service and was often sung by famous singers of Gyeonggi folk songs. It is a song that makes one think about filial piety toward parents and the meaning of human duty, and it prays for the absence of misfortune and illness in humans by releasing evil spirits, blocking evil spirits with a single stick, and dissolving the three disasters with the law of yin-yang and five elements, and praising the process of moving households. 4. Samdo Nongak Garak Samulnori is a musical performance that uses kkwaenggwari, janggu, buk, and jing to perform artistic acts. It is a form of percussion performance that stages the pungmulgut performed in the yard. In other words, it is a form that musically develops the rhythm of pungmulgut by changing the location. Samdo Nongak, which has regional characteristics of the three provinces, is composed of the Nongak of Honam, Jungbu Uttari, and Yeongnam regions, including Ochaejilgut-Uttorigut and Jwajilgut-Gutgeori of the Honam region, Deungdeokgung-Madangsamchae of the Jungbu region, Byeoldalgeori of the Yeongnam region, and Jjaksoe of the Uttari region. It will be a stage where great spirits are emitted, which can be called the pinnacle of Samulnori sitting band. 5. Seungmu Seungmu is not only solemn and solemn in its dance movements, but also wears a hat and a long robe, and in terms of its overall composition, the feeling of the dance starts from agony, conflict, frustration, despair, and moves on to excitement, joy, and delight, and ends. It starts with the accompaniment of a very slow 6-beat long chant, then suddenly flies Hansam, drawing a clever curve, and gradually moves to a faster rhythm, leading to a lively and composed Jajinmori melody and a fierce Hwimori drum performance, and finally ends with a lively Gutgeori, throwing Hansam and dancing. You will be able to feel the delicate expression and mystery of the rhythm that is sweet, soothing, binding, and releasing in Namdo folk dance. 6. Pangut Among Samulnori, 'Pangut' is a performance with strong playfulness. Samuljjap performers kick the ground with their feet, wave the sky with their heads wearing hats, and shake the samul with their hands, shaking the body and mind of the listeners. It can be said to be the best of Samulnori performances. In addition, various performances such as spinning a beona and acrobatics are added to enhance the excitement. 7. Ipchumsogo Ipchum is also called impromptu dance, heotun dance, and gutgeori dance, and is also called ipmu (立舞) in Chinese characters, meaning standing and dancing, or gumu (口舞) meaning dancing while singing. Based on Imaebangryu Ipchum, it was reconstructed with refined dance moves and lively sogo play, and it highlights a sorrowful yet feminine beauty. In particular, the high level of skill over the difficulties of Sogo is expressed in various dance forms by taking advantage of the characteristics of Sogo, and it allows one to come into contact with the understanding and aesthetic essence of traditional dance. WDU Traditional Performing Arts Troupe – Bitoreum Regular Performance Artistic Director – Department Head Kim Dong-won General Director – Professor Yang Jin-seong Percussion Instruction – Professor Kim Cheol-gi (Lee Ju-yong, Yoon Jeong-min Practical Assistants) Dance Instruction – Professor Moon Sook-kyung (Fundamentals of Traditional Dance, Salpuri), Professor Kim Hyeong-sin (Ipchum Sogo) Vocal Instruction – Professor Jeong Yu-suk (Folk songs of Namdo, Pansori), Professor Lee Yun-kyung (Folk songs of Gyeonggi Province, Seodo, Local Folk Songs) Advisory Committee Distinguished Professor Kim Deok-su (Founder of Samulnori) Professor Yang Yong-eun (Yeonhui Dance, Jindo Ssitgimgut) Professor Wi Hee-kyung (Korean Traditional Music Education Theory, Introduction to Cultural Arts Education) Professor Park Yeon-hee (Korean Traditional Music Teaching and Learning Methods, Korean Traditional Music Program Development) Professor Joo Jae-yeon (Cultural Arts Planning) Professor Yang Ok-kyung (Introduction to Korean Traditional Music) Department of Traditional Performing Arts Regional Education Center The Department of Traditional Performing Arts at Wonkwang Digital University has established a curriculum that fits the principles and characteristics of Korean traditional performing arts and is providing education through local learning centers and the Internet. We have a comprehensive arts education system and support practical training for graduates and current students. Percussion Department Seoul·Gyeonggi Education Center (Kim Cheol-gi), Incheon Education Center (Lee Yoon-goo), Gangneung Education Center (Kim Cheol-gi), Cheonan Education Center (Yoon Jeong-min), Daejeon Education Center (Yang In-gyu), Jinju Education Center (Jeong Woo-yeol), Pohang Education Center (Kim Mi-hwa), Daegu Education Center (Han Jae-hoon), Changwon Education Center (Yoon Jeong-min), Busan Education Center (Park Jong-hwan, Yoon Jeong-min), Ulsan Education Center (Kim Se-ju), Jeonju Education Center (Yang Jin-hwan), Gwangju Education Center (Lee Dae-hyu), Jeju Education Center (Go Seok-cheol), Cheongju Education Center (Ra Jang-heum) Vocal Department - Gwacheon Gyeonggi/Seodo Folk Song Education Center (Lee Yoon-gyeong), Suwon Namdo Folk Song/Pansori Education Center (Jeong Yu-suk) Dance Department - Seoul·Daejeon Dance Education Center (Moon Sook-gyeong / Kim Hyung-sin) Wonkwang Digital University's Department of Traditional Performing Arts, Leading the Globalization of Traditions The Department of Traditional Performing Arts was established to restore and creatively inherit the true artistic value of traditional performing arts, and to adapt to the conditions of the times. We are providing in-depth educational opportunities on the principles and characteristics of Korean traditional performing arts by establishing a suitable online art environment. To this end, we have prepared an efficient learning process that organically integrates traditional music, dance, and song, and we aim to train students who complete this process to become experts with diverse performance and leadership skills in the field of traditional performing arts. Training of traditional cultural artists with the capabilities of song, dance, and music Training of cultural arts instructors with creative educational capabilities Support for practical training through workshops held at approximately 20 regional education centers and during vacations Network of approximately 1,200 graduates and current students Opening of a Level 2 nationally recognized qualification course for cultural arts educators Welcoming new and transfer students (Admissions Guide) 2020 Admissions Schedule: December 1, 2019 ~ January 10, 2020 YouTube search term: Wonkwang Digital University, Department of Traditional Performing Arts Admissions Telephone Counseling: 1588-2854 Department Telephone Number: 070-5227-3514, 3515 Website: http://www.wdu.ac.kr