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In the spring, our pop culture mini-series Rewind ran on hvg360, in which Hanna Csatlós and Bálint Kovács introduced people who were present in all living rooms of the country in the 90s and 2000s and who also maintained their popularity in the digital world. In the third part, film and theater took on the main roles. As the creator of the “Hungarian Cat’s Cry”, Üvegtigris, Péter Rudolf became an unavoidable figure in the Hungarian film industry at the turn of the millennium, yet he fulfilled himself in theater, and currently leads the Vígszínház in the turbulent, post-Enikő Eszenyi period. But when did he decide whether he would become a footballer or an actor? Was there a golden age for Hungarian film? Would he still make Üvegtigris today? Why didn’t any TV channel like Beugró? Is it a naive idea to bury the ditches in the industry? What is his relationship with Enikö Eszenyi, and what is his opinion about his previous scandal? Hanna Csatlós and Bálint Kovács asked Rudolf Péter about these. Subscribe to hvg360, for only 360 forints in the first month! https://hvg.hu/360/elofizetes Follow HVG's other podcasts! Spotify: http://tiny.cc/HVGpodcastokSpotify Apple Podcasts: http://tiny.cc/HVGpodcastokApple Google Podcasts: http://tiny.cc/HVGpodcastokGoogle SoundCloud: http://tiny.cc/HVGpodcastokSC