Five years after the attacks of November 13, survivors of the Bataclan recount how their relationship with sound was injured that evening. From their love of live music to the trauma they suffered, from post-traumatic experiences to personal reconstruction, their stories resonate with the most recent research in sound and music. In L'écho du Bataclan, several survivors recount what they saw... but above all heard. Because the trauma was also sonic, fueled by the explosions, the screams, the death rattles, an indescribable deafening chaos that pulverized all their bearings. Subsequently, post-traumatic stress may have altered their listening and their relationship with sound - and therefore with the world. The slightest sudden, intense or percussive noise would plunge them back into a state of acute and uncontrollable stress. In this profound upheaval of their emotions, their relationship with others and with themselves, music has remained for many a landmark, even a vital diversion from their anxieties. Their journey tends to reveal to us the essential role of sound in our lives. Collected by Jérémy Leroux and formatted with Samuel Hirsch, these essential testimonies are commented on by researchers and sound experts. By bringing these intimate stories into dialogue with the insights of music therapists, ethnomusicologists, acousticians or philosophers of music, this podcast offers a reflection on the role of sound in our societies as well as a journey into the world of sound that allows us to find a little light. From the prehistoric cave to the hell of the Bataclan, song and music are eternal witnesses of our humanity. The survivors: Franck (41 years old), Virginie (43 years old), Gabrielle (35 years old) and Jean-Camille (34 years old). All are members of the Life for Paris association: http://lifeforparis.org/ The researchers: - Arnaud Norena, neuroscience researcher at the CNRS, specialist in hyperacusis and tinnitus - Anthony Brault, clinical psychologist and music therapist - Dana Rappoport, ethnomusicologist at the CNRS, Southeast Asia Center (CNRS, EHESS, Inalco) - Iégor Reznikoff, professor emeritus of philosophy at the University of Paris X, specialist in ancient song, author of "The sound dimension of paleolithic caves and painted rocks" - Francis Wolff, professor emeritus of philosophy at the Ecole normale supérieure de la rue d'Ulm, author of "Why music?" The author: For 10 years, Jérémy Leroux has worked as a chief editor of documentary films for television and cinema. These experiences have gradually developed his taste for sound material. L'écho du Bataclan is the result of 4 years of writing and meetings. It is also his first work as an author. #podcast #Bataclan #attentat A documentary by Jérémy Leroux Interviews and editing: Jérémy Leroux Direction, original music and mix: Samuel Hirsch Illustration: Zaven Najjar Video editing and animation: Sara Olaciregui Find it on: https://www.arteradio.com/son/6166491... Subscribe to ARTE Radio's YouTube channel: / @arteradio Find us on our website: https://www.arteradio.com/ Follow us on social networks: Soundcloud: / arte-radio-1 Facebook: / arteradio Twitter: / arte_radio