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Hafez's ghazal has both romantic levels like Saadi's ghazal, and mystic levels like Attar's, Molana's and Iraqi's ghazal, and on the other hand, it carries the main task of the ode, which is praise. Therefore, Hafez's poetry represents all three major poetic movements before him, and the hero of his poetry is both a deity, a lover, and a lover. In the vertical axis, Hafez's poetry is mostly worldly and romantic or praiseworthy, and various themes, including mysticism, are in the verbal axes, and those who consider his poetry mystical pay attention to the horizontal axis, that is, they consider his verses to be independent.