Today's lecture is the "CHNP/CHNCHN debate" at the Department of Dirty Language, Faculty of Literature, SKB University. This lecture is an important theme to consider not only when creating SKB, but also when you are engaged in practical lewdness in your daily life. For some students, this may be the first lecture to be useful. I can assure such students that there will be no other lectures as useful as this one. Please listen carefully. In fiction or reality, the impression will change greatly depending on what you, the heroine, or your partner calls that thing when they see it for the first time. "That moment" only happens once, and I think it is something you should always keep in mind. How many different ways are there to call "that thing"? In order to avoid getting scolded by large organizations, I will write it in alphabets that are just barely understandable, not in Japanese, but I think "CHN-CHN" and "CHN-P" are typical examples. You could also add the polite "O" to this and make it "O-CHN-CHN" or "O-CHN-P". (Although written like a chemical compound or structural formula in science, it is a humanities subject) I have the impression that CHN-"K" is surprisingly rare. This may be because Akiko Wada's "Osechi, Osechi, Ose-CHN-K!!" has the strongest impression. However, with the popularity of Me◯gaki, I feel that the number of people calling it "CHN-K" has increased slightly. However, in the case of Me◯gaki, it is a little difficult to use. When you say "CHN-K" and "Zaa-ko" separately, the sound seems to go well together, but when you say "Zako CHN-K", Akiko Wada's "Ose CHN-K" really fits and it starts to look familiar, so when combined with "Zako", I think "Zako CHN-P" is stronger. The general impression of each call is: The basic form is "CHN-CHN" If you want the heroine to look lewd, use "CHN-P" If you want to make it look more cheeky than lewd, use "CHN-K" That's my impression. In a movie I saw a long time ago, a Japanese man hit on a foreign woman, and the foreign actress who saw the man's thing said, "Oh, Japanese samurai sword!" I'm not going to think about that. I think this is probably a common understanding up to this point. If not, this is the premise of this lecture. I hope you will listen to this lecture with this in mind. This lecture is a summary of the paper "CHNP/CHNCHN Controversy" presented at the 2023 SKB University Open Campus for online lectures. This lecture will be awarded 2 credits as a compulsory subject for students in the Faculty of Letters of SKB. Students in other faculties will be awarded 2 credits as general education in humanities and sociology. Planning: President Iwanaga Student: Yamada Ballpoint Pen Photography: Takeshige Editing: Sasaki Usagi Thumbnail: Nagata Futon Below, to students with a strong desire to learn And to the creators of some SKB audio works I will speak here as Lip Grip Iwanaga, not President. Why I am so particular about how to use names. People involved in SKB games are probably just as sensitive to the differences as I am. This is because they have to write out many SKB scenes for multiple characters, and because they are written in text, they have to be careful. As a user, I notice the differences, and I admire their efforts. And I think that the people who enjoy "SKB audio works" are even more sensitive. I have only been using SKB audio works on a daily basis for about the past five years, and I am ashamed to say that I am not as knowledgeable as experts. I have been with other content for a certain amount of time, and in some cases I have searched through literature and talked about it, but with audio works I just listen to them and use them. Therefore, I would like to talk about the "double-edged sword" of SKB audio works as content that I feel as an individual user, not as a professor. Compared to manga, games, and A▽, audio works resonate with the ears without any other visual information. Furthermore, the SKB scene begins after only a brief background of the heroine and an explanation of the situation, without explaining the big story or plot. This is a content that is very directly connected to SKB, but in other words, audio works are difficult to complement with other elements and cannot be "fudged". We SKB people have imaginations that ordinary people cannot think of. In the case of pictures, we can expand our imaginations from the clothes, location, and body type, and if there is a story, we can conveniently add or subtract from the story and interpret it. This is a strong ally of SKB, but it is not easy to imagine from nothing. In SKB audio works, there are only pictures and explanations from the summary on the package (work introduction), and there are extremely fe