The guest of "Come Tomorrow" is lecturer and composer Anna Vilenskaya. Her lectures on Zemfira, Tsoi and Meladze collect hundreds of thousands of views. Anna will tell what will help a composer write good music, why it is not necessary to graduate from the conservatory and whether it is possible to compare Morgenstern with Bach. Anna Vilenskaya: / vilenskaya.a Open Music Lecture Hall: @anna_vilenskaya 00:00 - Teaser 1:50 - Anna's childhood and the first song about a boletus 3:20 - About children's inclinations towards music and attempts to compose songs 3:50 - Don't overpraise a child 4:10 - About Petranovskaya and the transmission of trauma from generation to generation 5:30 - How the trauma of her relatives affected Anna 6:40 - About the neuroticism of the 90s generation 7:00 - Her father left the family, Anna is looking for a father in a partner 7:50 - How the piano appeared 8:20 - I like monotonous work and pressing keys 9:00 - About Anna's absolute pitch and her parents' reaction 10:30 - How absolute pitch helps in lectures 12:50 - A man spent his whole life singing 13:20 - People watch TikTok, it's very creative 15:00 – When a person sings along to Meladze, he cleanses the soul 16:00 – How to develop your ear, understand where each note is 18:55 – About the music school for adults in St. Petersburg and its usefulness 20:08 – I communicated with the instrument a lot as a child, I loved to surprise my grandmother 21:50 – I didn’t go to kindergarten, I didn’t have friends 24:20 – Old Believers and the oddity in high school 26:40 – We went for a walk in Victory Park, and my dutik fell into a snowdrift 29:00 – Zemfira, Radiohead, Placebo, Bach and love for Shostakovich 30:00 – It was my Edward Cullen 32:10 – Life is finite, Shostakovich died, Prokofiev died, and I will die too 33:30 – About the taboo nature of the topic of death 35:00 – About the inner criticism, Anna's boyfriend and the big age difference 37:00 - But I won't have time to pay off this mortgage 39:00 - Now you're working on quality 41:40 - Why Anna changed her mind about being a pianist 43:00 - About her first lecture at the Small Hall of the Philharmonic 44:00 - Working at the Staccato music school in St. Petersburg 47:30 - About the Open Music Lecture Hall 49:30 - Why Anna dropped out of the conservatory 52:30 - A composer needs to have something to write about 58:00 - What is the global goal of a lecturer? 1:00:00 – Bach and Morgenstern are about the same thing 1:02:10 – The case with Navalny didn’t scare me much, but with Khovansky it did 1:04:30 – If we put a person in prison, we devour his life 1:06:00 – Can reality be reflected in art? 1:07:20 – The music is not about sadness, but about lyrical experience 1:09:40 – Everyone is doing their job, everything is going as it should #cometomorrow #music #annavilenskaya #vilenskaya #singing #learntosing #bach #morgenstern #meladze #conservatory #psychology #youth #growingup #death #shostakovich #prokofiev #composing #lectures #openmusiclecture #lecturer The following people worked on this episode: Victoria Likhacheva: / viktory_26 Olga Shkvorova https://instagram.com/singer_karandas... Polina Yauk: / polina_yauk Editing: Vsevolod Kolmakov: https://instagram.com/nargil_hansen?u... Camera operators: Vsevolod Kolmakov, Alexander Rusakov: https://instagram.com/snide_tornado?u... Daniil Rodionov Author of the screensavers Anastasia Arashkevichute: https://www.instagram.com/arashkevich...